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Horizontal Tasting of Pinot Noirs, Domaine Carneros

Posted 05/07/2008 at 07:44 PM by Cathy

Here's the thing about tasting a flight of Pinot Noirs: this particular wine oxidizes quickly, so its composition and character literally change while it sits in the glass. You've got to go back and retaste the samples, and they may taste drastically different than they did the first time.

We came to Domaine Carneros to try a horizontal tasting of Pinot Noirs that were all grown within the Carneros AVA. For me, every one of the wines did taste drastically, unsettlingly different every time I tried it.

"My name is Pinot Noir," I almost heard someone say, "and I have multiple personality disorder."

Usually from a horizontal tasting of the same varietal you'd be able to identify some sort of connecting thread that links all of the wines. But figuring out what was typical, or characteristic, of Pinot Noir seemed to be nearly impossible, at least for me. Even my favorite wine of the day, a 2005 MacRostie Pinot Noir, wasn't very typical of Pinot Noir at all.

MacRostie's winemaker told me that a significant percentage of the wine we tasted came from grapes grown on the Wildcat Mountain Estate Vineyard. Wines from Wildcat's grapes are identified by their dark color (when Pinot Noirs tend toward brighter tonality) and full body (when the very best Pinot Noirs are feather-light). Pinot Noirs are notoriously difficult to grow but I never guessed that getting a handle on the finished product would also be this difficult.

Fortunately, despite the struggle, I came away with an appreciation very similar to the one I felt yesterday with Rudd's Sauvignon Blanc: the MacRostie was what Pinot Noir can be. Full, but not heavy. Lush, but not fatty. And satisfying, because of its complexity, not despite it.

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About the Author

Cathy Huyghe
Cathy Huyghe

Cathy Huyghe writes about drinking wine every day in the Boston area. She finds the quirky characters, the after-hours events, and the surprising stories that make up Boston's vibrant local wine scene. But no matter where she is, what she's doing, or who she's with, she mostly just wants to drink the stuff.

Her first restaurant gig was at Chez Panisse, when she knocked on the kitchen's back door and asked if she could work there. She's also worked for Jean-Pierre Vigato in Paris and Thomas Keller in Las Vegas. She went to graduate school at Harvard (twice), and her writing has run in Boston magazine, the Boston Globe, the Washington Post, Edible Boston, and on Nevada Public Radio and Grist.org.

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